Ice-T Interviewed By Rolling Stone: Discusses Art of Rap & Nicki Minaj

In his new documentary The Art of Rap, out on June 15th…

Ice-T – the gangsta rap icon who spewed the venomous “Cop Killer” with his heavy metal band Body Count and became a First Amendment martyr in the Nineties – has since become a TV star and pop culture darling, playing a police detective on Law & Order: SVU and himself on Ice Loves Coco, a reality show about his married life.

In his new documentary The Art of Rap, out on June 15th,  Ice-T returns to his roots and does candid interviews with some of hip-hop’s greatest lyricists, including Rakim, Grandmaster Caz, KRS-One, Q-Tip, Nas, Raekwon, Eminem and MC Lyte. On his way to a screening of the film in Chicago, the veteran spoke at length with Rolling Stone about the meaning of “real hip-hop” and dropped knowledge for the next generation.

The Art of Rap is a personal project about your peers in hip-hop, but the story is also relevant to fans. As a filmmaker, who did you create this film for?
I created it for both. The artists want to be represented for once in a good light, to see themselves as artists and not what’s usually portrayed in the press. Fans get a chance to see these guys candidly and hear how they feel about the art form. It’s me giving back to hip-hop and doing a film that shows us in a good, positive light.

A lot of the MCs showcased in this film predate the formative years of young hip-hop fans. For those who didn’t grow up with Rakim or Big Daddy Kane, what do you see as the takeaway?
They need to know their history. If I’m going to be a jazz player, I need to understand Miles Davis. They need to understand what this train is that they’re jumping on and they’re following; where it comes from. You gotta remember that hip-hop was a youth movement. [Grandmaster] Caz says in the movie, “I started when I was 13” … we were all kids when we started. Now you guys are kids and you guys are taking it from here.

You also document the rhyme-writing process, from Grandmaster Cazs penmanship to Rakims 16-bar strategy. Rappers today often brag about not writing their verses down, and like Naughty by Nature’s Treach says in the film, it shows. When did it become cool to stop writing?
Jay-Z did that. Jay-Z is like a rap savant. He has that ability to do very intricate stuff in his head and he was the first rapper to say, ‘I don’t write,” and now everybody is trying to act like they can do it like Jay-Z. Most people have to write it out. It’s not that easy to do it well off the head, as they say. You’ll get an interesting rhyme, but it won’t be anything near something you can write. So to me, Jay-Z is the one rapper who can do it. Everybody else, like Treach says, needs to pick up a pen and take a little time and make it sound right.

It seems like the phenomenon of lyrics taking a backseat to beats coincided with the rise of hip-hop producers as stars in their own right. Did the producer kill the rapper?
Nah. I mean, if you have a supernatural track, you don’t really have to do much to rap on it to sell it. The track is so intense. Sometimes when the beat is so loud or incredible, people don’t get to the words; they’re just having so much fun. When you got that mega-production, you can hide behind that production. No disrespect, but some of the biggest records … If you take the music from MC Hammer’s ‘U Can’t Touch This” and listen to the rhymes, Hammer was just having fun. He wasn’t rhyming incredible, but the track was so intense and that was one of the biggest rap records in history. That’s no diss towards Hammer, but if you get on the right track, the track will take you for a ride. These producers got smart and they’re charging an arm and a leg for a track now, ’cause they know: “You can’t rap really, so I’m gonna charge you!”

There’s also been a marked change in the last few years, with artists like Drake and Nicki Minaj singing as much as they are rapping. Do you feel like that dilutes the art of rap or broadens it?
A good emcee will rhyme a lot of different ways. Don’t limit yourself. Maybe on this record, you’re on something a little bit different, a little house-y, and then for this one you go to DJ Premier for some real hardcore beats, or then you have that big, super, grand DJ Khaled production that’s so incredible. You gotta learn how to change your flow so you’re not doing the same thing over and over again. … Read the whole story by clicking here

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